Andrew Cowie has performed at some of the world’s most distinguished venues, including Buckingham Palace, Duomo di Cremona, and Salzburger Dom. After completing an undergraduate in trombone at the Royal Academy of Music, he is now a Royal College of Music postgraduate specializing in keyboard, historical performance, and conducting. Recent highlights range from the reopening of the King’s Gallery, a double song recital debut at the Royal Albert Hall with duo partner Mariana Rodrigues, the London Händel Festival and London Bach Society Singer’s Prize on keyboard, and performances at the Japan Matsuri Festival and with Aurora Orchestra at Southbank Centre.  

Andrew is at home with most music performed in the last 600 years, he performs on various instruments, including piano, historical keyboards, trombone and sackbut. He has been a regular song accompanist alongside Richard Stokes, Florence Daguerre de Hureaux, and Emily Kilpatrick, and has enjoyed working with/performing for artists such as Rachel Podger, Patricia Kopatchniskaja, James Baillieu, Christian Gerhaher, Laurence Cummings, James Gilchrist, Dame Emma Kirkby, Yvonne Kenny, Nick Mulroy, and Liz Kenny. Recent albums as an instrumental accompanist with Girton College Cambridge Choir have placed top 10 in the UK/Worldwide Classical Charts.  

Andrew is a Parnassus Scholar, supported by the Charles Colt Scholarship, and a recipient of Help Musicians Ian Fleming Award. His song project “Chantefable” with Mariana Rodrigues blends improvised music, poetry and song into complete concert narratives. They are BREMF 2025/26 Emerging Artists. 

Andrew’s recent piano feature film score for Away with Words will be released in 2026.